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paired, mirrored, flayed, javelin-impaled, cable-delineated-pendentive-funnel-suspended, squid-like, priapic / labio-vulval, Janusian meta-portrait lozenges of the artist, screaming, and Matthew Barney, in two guises: determined combatant and recently-deceased, resigned stoic,
with the first composite figure richly embossed, in a manner reminiscent of late-Renaissance Milanese parade armor, with a cornucopia of silhouetted motifs: Abrahamic ecclesiastical symbols, animals, decorative flourishes, and protuberant, warty, half-spheres; and the second devoid of embellishment,
in book-split, medially-bifurcated onyx from Baja California: half an exuberantly-variegated, intensely-colored, fractal-patterned, striped-and-spotted white-yellow-red; half a comparatively-uniform semi-translucent, nacreous, pale yellow-white
with differing surface treatments keyed to the corresponding swag-draped corporeal flay strata: a glistening mucosal sheen for the splayed entrails, either miniature horizontal flutes or a micro-stippled matte finish for the mid-level viscera, and either gnarled, ridged, sfumato-esque soft-focus ornamental relief or, again, diminutive horizontal flutes for the epidermis,
with eyes and oral features gleaming, respectively, with a moist, lachrymal / salivary polish,
with mannered, attenuated, crown-like cranium-top shatter-burst exit-wounds
2000-2007
Mexican onyx, stainless steel, 24K gold, various other metals
stone / shaft assemblies: each 55 x 5-1/4 x 8 inches
stone figures: each 22 x 5-1/4 x 8 inches
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