Lives and works in Brussels
SELECTED SOLO EXHIBITIONS
2004
The forest of suicides, MACRO Museum, Roma, Italy
In the flesh, Salon 94, New York
2003
Inferno, CCA Kitakyushu Project Gallery, Japan
Terrorealismus, Migros Museum, Zurich
The Prodigal son, Goodman Gallery, Johannesburg,South Africa
Rogue States, Stephen Friedman Gallery, London
2002
Grenzgänger, Galerie Luis Campana, Köln, Germany
Mondo Kane, Galleria Continua, San Gimignano, Italy
A Spy in the House of Love, Camouflage, Brussels,Belgium
Sympathy for the Devil, Palais de Tokyo, Paris
2001
Where Angels Fear to Tread, Delfina Project Space,London
Televisionaries, Würtembergischer Kunstverein and Schloss Solitude,
Stuttgart, Germany
2000
Timbuktu, MAK, Vienna, Austria
¡Ya Basta!, Le Consortium, Dijon, France (catalogue)
Ex Africa Semper Aliquid Novi, Marian Goodman Gallery, Paris, France
Arte all’Arte V edizione, Volterra, Italy
Inova, University of Wisconsin–Milwaukee, Milwaukee, USA
1999
States of Emergency, Vienna Secession, Vienna, Austria (catalogue)
Heart of Darkness, South African National Gallery, Cape Town, South Africa
Stephen Friedman Gallery, London
Project Rooms, Arco, Madrid, Spain
1998
Guilty, Fort Klapperkop, Pretoria, South Africa
98.3, ArtPace, San Antonio, Texas, USA (brochure)
Heart of Darkness, Gallery in the Round, Grahamstown, South Africa (brochure)
1997
Memento Mori, de Vleeshal, Middelburg, Holland
1996
Black on the Inside (with Neil Goedhals), Galerie Metroplex, Johannesburg, South Africa
16 June 1976 (with Willie Bester), Goodman Gallery, Johannesburg, South Africa
1995
Work on Paper, Chalkham Hill Press Gallery, Johannesburg, South Africa
W.C., Villa Arson, Nice, France
1994
Air de Paris, Everard Read Contemporary & ICA & Market Theatre Galleries, Johannesburg, South Africa
We are Johannesburg Artists and Nothing More, Michaelis Art Gallery, Cape Town, South Africa
1993
The New Patron, Everard Read Contemporary, Johannesburg, South Africa
Threshold: The Exhibition, Everard Read Contemporary, Johannesburg, South Africa
Objects, Natal Technikon Art Gallery, Durban, South Africa
1991
Mediations, Goodman Gallery, Johannesburg, South Africa
1988
Box Theatre, University of the Witwatersrand, Johannesburg, South Africa
SELECTED PERFORMANCES
RED SNIPER (with Patrick Codenys)
2004
Playlist, Palais de Tokyo, Paris, March 16-18
Opera Video, Galleria Continua, San Gimignano, Italy, February 1-30
2003
Rhythm and Chaos,Transart 03, Bolzano,Italy, September
Rhytm and Chaos, Beaulieu Art Gallery, Oudenaarde (group show), August
Guests, curated by Luk van Acker, Handelsbeursgebouw,Ghent, July
Guided by Heroes, curated by Raf Simons, Z33, Hasselt, July
Prototype, Centre Pompidou, Paris, April
SELECTED GROUP EXHIBITIONS
2004
Cremers haufen.alltag, prozesse, handlungen: kunst der 60er jahre und heute, Westfälisches Landesmuseum für kunst und kulturgeschichte, Münster, Germany
2003
Synopsis III -Testimonies: between fiction and reality, EMET, National Museum of Contemporary Art, Athens (catalogue)
Looking both ways, curated by L.A. Farell, Museum for African Art, New York, USA (catalogue)
Poetic Justice, 8th International Istanbul Biennal, Haghia Sophia Museum, Turkey (catalogue)
Black President: The Art and Legacy of Fela Anikulapo-Kuti, New Museum, New York (catalogue)
A Fiction of Authenticity: Contemporary Africa Abroad, Contemporary Art Museum St Louis, Missouri (catalogue)
Opening Gallery Beaulieu, Oudenaarde, Belgium
Poëzie Zomer, Opzij van het kijken, Watou, Belgium
African Exile Museum, Migros Museum, Zürich, Switzerland
A Prove d’Ascolto, Galleria Civica di Arte Contemporanea, Trento (catalogue)
Time, art and architecture, Biennal of Valencia, Spain (catalogue)
Coollustre, curated by Eric Troncy, Collection Lambert en Avignon, France(catalogue)
Göteborgs Internationella Konstbiennal, Göteborg, Sweden (catalogue)
Next Flag, Hans Bogatzke Collection, B.P.S.22, Charleroi, Belgium
Thatcher, The Blue Gallery, London
HardCore, Vers un Nouvel Activisme, Palais de Tokyo, Paris (catalogue)
M_ARS – Art and War, Neue Galerie am Landesmuseum Joanneum, Graz, Austria (catalogue)
Salon des Refusées, Fondazione Bevilacqua La Masa, Venice (Catalogue)
Sted//Place Galerie Asbæk & Kastrupgardsamlingen, Copenhagen, (Catalogue)
Observatorio #5 Camouflage, Brussels, Belgium
Next Flag, B.P.S.22, Charleroi, Belgium (Catalogue)
Video-Zone@LX , Gulbenkian Foundation, Lisbon, Portugal
2002
Documenta 11, Kassel, Germany (catalogue)
Trauma, Museum of Modern Art, Oxford (catalogue)
The Short Century, PS1, New York, USA (catalogue)
Editionen Part One / 2002, Galerie & Edition Artelier, Graz, Austria
Tutto Casino, Villa Medici, Rome, Italy (Catalogue)
To Actuality, Bolzano, Italy
Video-Zone, 1st International Video-Art Biennial, Tel Aviv, Israel (Catalogue)
Refuge Tilflukt, Henie Onstad, Oslo (Catalogue)
Handlungsanweisungen - Instructions for Actions, (with Anri Sala) Kunsthalle, Wien (Catalogue)
...privat, CHARIM GALERIE; Wien
zeichen > Enactments of the Self, Steirischiser Herbst; Graz
Surviving Apartheid, Maison Europenne de la Photographie, Paris
2001
ARS 01, Kiasma, Helsinki, Finland (catalogue)
Marking the Territory, The Irish Museum of Modern Art
Recasting the Past: Beneath the Hollywood Tinsel, Main Art Gallery, California State University, Fullerton, California
The Short Century, Museum Villa Stuck, Munich, Germany, and touring (catalogue)
Locus Focus, Sonsbeek, Arnheim, The Netherlands (catalogue)
Skulptur – Biennale im Münsterland, Kloster Gravenhorst, Hörstel, Germany (catalogue)
Casino 2001, 1st Quadronnial of Contemporary Art, S.M.A.K., Gent, Belgium (catalogue)
Trauma, Dundee Contemporary Arts and touring Konverzacija, Centre for Contemporary Arts, Belgrade, Serbia (catalogue)
In cold blood, State University of New York and New Palz, USA
Short Stories, Fabbrica del Vaporeo, Milan, Italy (catalogue)
Berlin Biennale, Jannowitzbrücke, Berlin, Germany (catalogue)
2000
Pusan International Contemporary Art Festival 2000, Pusan, Korea; curated by Hou Hanru (catalogue)
The Sky is the Limit Taipei Biennial, Taipei, Taiwan (catalogue)
3 Räume – 3 Flüsse, Hann.Münden, Kassel, Germany (catalogue)
The Invisible Touch, Kunstraum Innsbruck, Austria
Echigo-Tsumari Art Triennial, Japan (catalogue)
VideoBrasil International Electronic Art Festival, Sao Paulo, Brasil (catalogue)
Acts of Resistance, Koldo Mitxelena Kulturunea, San Sebastian, Spain (catalogue)
Untitled (Sculpture), Luhring Augustine, New York, USA
Inverse Perspectives, Edsvik konst och kultur, Sweden
Positions Attitudes Actions, Foto Biennale Rotterdam, The Netherlands (catalogue)
Atmosfere Metropolitane, Openspace, Milano, Italy
Memórias íntimas Marcas, MUHKA, Antwerp, Belgium (catalogue)
Continental Shift/ For R.EAL, Bonnefantenmuseum, Maastricht, The Netherlands (catalogue)
Home, Art Gallery of Western Australia, Perth, Australia
Micropolitiques, Le Magasin, Grenoble, France (catalogue)
South Meets West, Kunsthalle Bern, Switzerland (catalogue)
HB First View, Camouflage, Johannesburg, South Africa
1999
Zeitwenden, Kunstmuseum Bonn, Germany (catalogue)
Bodies of Resistance, Real Art Ways, Hartford, Connecticut, USA
South Meets West, National Museum, Accra, Ghana (catalogue)
Carnegie International, Pittsburgh, Pennsylvania, USA (catalogue)
Five Continents and One City, Museo de la Ciudad de Mexico, Mexico City (catalogue)
Patentia, NIFCA Stockholm, Sweden
A3HB, Camouflage, Brussels, Belgium
Extra and Ordinaire, Printemps de Cahors, Cahors, France (catalogue)
Following and to be Followed, Le Consortium, Dijon, France
High Red Centre, Centre for Contemporary Art, Glasgow
Power, Galerie für Zeitgenössische Kunst, Leipzig, Germany (catalogue)
Traffique, S.M.A.K., Ghent, Belgium (catalogue)
Global Conceptualism: points of Origin 1950s-1980s, Queens Museum of Art, New York, USA (catalogue)
Entrée Libre (http://www.culture.fr/entreelibre/)
1998
Memórias Íntimas Marcas, Instituto de Arte Contemporânea, Lisbon, Portugal
Europa Afrika, 7 Triennale der Kleinen Plastik’ Südwest LB, Stuttgart, Germany (catalogue)
Dark Continent; Klein Karoo Arts Festival, Outshoorn
Odradek, Bard Center for Curatorial Studies, Annadale on Hudson, New York
City Canibal, Paço Das Artes, São Paulo Bienal, São Paulo, Brasil (catalogue)
Cross/ing, Track 16 Gallery, Santa Monica; University Galleries, Florida Atlantic University, USA (catalogue)
Medialization, Edsvik konst kultur, Sollentuna, Sweden (catalogue)
1997
Alternating Currents, Johannesburg Biennale, South Africa (catalogue)
Cross/ing, University of South Florida Art Gallery, Tampa, Florida, USA (catalogue)
Unplugged II, Rembrandt van Rijn Art Gallery, Market Theatre, Johannesburg, South Africa
October, Norwich School of Art and Design Art Gallery, Norwich
Purple and Green, Pretoria Art Museum, Pretoria, South Africa
1996
Inclusion Exclusion, Kunstlerhaus, Graz, Austria (catalogue)
Simunye (We Are One), Adelson Galleries, New York, USA
Colours, Haus der Kulturen der Welt, Berlin, Germany
Egoists at Work, Forum Stadtpark, Graz, Austria
Crapshoot, de Appel, Amsterdam, The Netherlands (catalogue)
Unplugged, Rembrandt van Rijn Gallery, Market Theatre, Johannesburg, South Africa
The Young and the Restless, Sandton Art Gallery, Sandton, South Africa
1995
On the Road, Delfina Studios, Africa95, London (catalogue)
Mayibuye iAfrika, Bernard Jacobson Gallery, London
Outside/Inside, Johannesburg Biennale, Johannesburg Art Gallery, South Africa (catalogue)
Vita Art Now, Johannesburg Art Gallery, South Africa
1994
Vita Art Now, Johannesburg Art Gallery, South Africa
Quinta Bienal de la Habana, Centro Wifredo Lam, Havana, Cuba (catalogue)
Un Art Contemporain d’Afrique du Sud, curated by Jean-Yves Jounnais, Galerie
de l’Esplanade, La Defence, Paris, France (catalogue)
VI Biennale d’Arte Sacra, San Gabriele, Teramo, Italy
Identita e Rappresentazioni Cartografiche, curated by Teresa Macri and Lucilla Meloni, Museo Nazionale Preistorico Etnografico Luigi Pigorini, Rome, Italy
The Netherlands Against Apartheid, Amsterdam’s Historisch Museum, Holland (catalogue)
Zuiderkruis, Stedelijk Museum, Amsterdam, Holland (catalogue)
SELECTED BIBLIOGRAPHY
2004
2003
Istambul Biennale, Joerg Bader, Kunstforum International Bd.167, pp.335-357, Ruppichteroth, Germany, Nov/Dec
Redefining the African Diaspora, Holland Cotter, The New York Times, New York, 21 November
Héritages, L'exposition du grand Palais Gauguin (Tahiti), Beaux Arts Magazine Hors-Série n°7, pp.70-71 and p.79, Paris,October
Ultravista, Arte, la VIII Biennale di Istanbul, Alias #37, p.6, Italy;20 September
Coollustre,Weather Everything Dramatically Different, 3 expositions d'Eric Troncy, Les presses du réel, Collection Lambert en Avignon, France,September
Salon de refusés, Public art projects never realized, Roberto Pinto, Venice, 28 March- 25 May
XXD11, Uber Kunst und Kunstler der Gegenwart, Ein NachLesebuch zur Documenta 11, Die Note beim ‘Nation building”- Sudafrika im Fokus von Kendell Geers, David Goldblatt, Santu Mofokeng, Alfredo Jaar und Steve McQueen, pp.32-35 and Tot oder lebendig Die Entdeckung einer Arbeit auf der Documenta 11, pp.104-107, Germany,Autumn Sand in the Vaseline, Art Southafrica, interview with Jerome Sans, pp.28-34, Vol.1 #3, South Africa (Cover)
Look back in anger, ArtReview, Godfrey Barker, Vol.LIV, pp.33-34, London,May
Hackers Vaillants, Liberation, Elizabeth Lebovici, p.30, Paris,25 Avri
Willkommen im Wunderland, Die Utopie des Zuhause, Reporter ohne grenzen,
Fotos fur die Pressefreiheit 2003, pp.30-37, Berlin,April
Suburbia I, Quaderns d'arquitectura i urbanisme n#237, pp.48-51, Barcelona,April
Hardcore, Desir de Politique, Emmanuelle Lequeux, Beaux Arts Magazine, #226, pp. 48-49, Paris,Mars
Action Directe?, Les Inrockuptibles, Jade Lingaard et Jean-Max Colard, #380,pp. 36-40, March, Paris, February 26–March 5
Art:Preview, Time Out, Martin Coomer, #1697, p.45, Febr-March, London
February 12-19 S is for… , What’s On in London, Jim Healy, p.23, London Summer
Reviews/Books, Art Southafrica, Emma Bedford, p.63, Vol.1 #2, South Africa
2002
My Tongue in Your Cheek, Les presses du Réel, Réunion des Musées Nationaux, France (Monograph)
Post Production, Nicolas Bourriaud, Lukas and Sternberg, p. 9, New York
Postculture, Teresa Macri, Meltemi, pp. 142-145, Rome, Italy
Waiting for the Barbarians, Der Hund ist fur die Hyane eine Kolanuss: Zeitgenossische Kunst und Kultur aus Afrika, Jahresring #49, Project pp. 106-111, Oktagon, Koln
The Devil’s Rope, A Cultural History of Barbed Wire, Alan Krell, Reaktion Books, pp. 113, 114, 172-3, 175, London
20 Artworks, Crash ,#23, p. 61, Paris, 2002 Nov/December
Seven from Documenta, Scott McLeod, Prefix Photo, pp. 26-43, 6 November
The Passenger; Kendell Geers’ art of terror, Joseph Whitt, Art Papers #26.6, pp. 22-27, Atlanta (Cover), Autumn
Kendell Geers, Francesca Pasini, Artforum XLI No.1 p. 211, New York, September
Die Dokumenta 11, Kunstforum #161, Ruppichteroth Germany, pp. 268, 384, August–October
Kendell Geers, Jerome Sans, Tema Celeste #92, pp. 44-47 (Cover) , Milan, July/August
Kendell Geers, What is Art (Today); qu’est-ce que l’art (aujourd’hui) Beaux Arts Special Edition 2002, pp. 124 - 127, Paris, June
Afrikan Psycho, Jean-Max Collard, les Inrockuptibles #340, pp. 76 - 77, Paris, 29 mai – 4 juin 2002
Trauma, Paul Tebbs, Contemporary, pp. 94-95, London, January
Paradoxes de la Mondialisation, Catherine Francblin, Artpress Special Numero # 22, p. 165
Authentic/Ex-Centric, Conceptualism in African Art, Salah M. Hassanand Olu Oguibe, la Biennale de Venezia, Forum for African Art, New York
Video: Un Art Contemporain, Francoise Parfait, Editions du Regard, pp. 166, 226, 227, 242, 246, Paris
Art and Artifact, The Museum as Medium, James Putnam, Thames and Hudson, p. 108, London, Autumn
Making whiteness strange, Liese van der Watt, Third Text 56, pp. 44-89, London, autumn
Infinite Justice, Eric Troncy, Les Editions du Reel, pp. 32-43, Dijon, 2001/2002, winter
2001
Skultur-Biennale 2001 im Kreis Steinfurt, Claudia Herstatt, Kunstforum#157, p. 421, Ruppichteroth Germany, Nov/Dec
GI-Joe Attitude, Ch. Laubard & B. Ramade, Technikart #54, pp. 60 - 64, Paris, July
Where Angels Fear To Tread, The Guardian Guide, 16-22 June
Review, Sarah Kent, Time Out London, 4-11 July
2 Berlin Biennale, Kunstforum #155, p. 300, Ruppichteroth, Germany, June – July
Monster sehen dich an, Holger Liebs, Süddeutsche Zeitung # 94, 24 April
Kratzen, wo es nicht juckt, Interview with Otto Neumaier, Frame #06, pp. 94-99, Vienna, March-April
The Newest Avant-Garde, Barbara Pollack, Artnews Vol 100/#4, pp. 124 - 129, NewYork, April
Durch den Tunnel der Gewalt, Ruth Handler, Art das Kunstmagazin , March
Kendell Geers: Timbuktu, Dieter Buchart, Kunstforum #153, p. 396, Ruppichteroth, Germany, Jan – March
Der melancholische Schrecken, Nikolai B. Forstbauer, Stuttgarter Nachrichten, February, February
2000
3 Raume – 3 Flusse, Kunstforum #152, p. 336, Ruppichteroth Germany,Oct – Dec
Landmines in the Gallery, Interview with Jerome Sans,
Trans>arts.cultures.media# 8, pp. 268-274, New York
Reading the Contemporary- African Art from Theory to the Marketplace, Okwui
Enwezor and Olu Oguibe, MIT press, Cambridge, Massachussetts
There’s a Bomb in This Exhibition: Kendell Geers charged, Ruth Kerkham, Parachute #99, pp. 30-40, Montreal, July/ Sept
The Art of the Phoenix, Interview, Christine Macel, Art Press #257, Paris, pp. 28-33, May
Ex Africa semper aliquid novi, Ludovic Fouquet, Etc Montreal, p. 59 - 61 Montreal June – August
Artiste du Mois, Catherine Francblin, Beaux Arts Magazine, p. 27, Paris, February
Micro Politiques, Parpaings #10, pp. 20-23, Grenoble, 10 February
Ghetto Blaster, Jade Lindgaard, Les Inrockuptibles, #228, pp.56-57, Paris, 1-7 February
Video Impressionante, Michel Nuridsany, Figaro, 1 February
Scenes de la destruction et autres images de la souffrance, Philipp Dagan, Le Monde, p.23, Paris, 23 January
1999
Contemporary African Art, Sidney Littlefield Kasfir, Thames and Hudson, p.165, London
Review, Flash Art, Vol 32 # 209, p.118, Milano, Nov-Dec
Kendell Geers, Katerina Gregos, Contemporary Visual Arts, issue 25, p. 56, London, October
Cityscape Johannesburg, Larie Firstenberg, Flashart #208, pp. 69-70, Milano, October
Extra et Ordinaire, Evelyne Jouanno, Flashart, Milano, October
Review 99, Katerina Gregos, Noticias ARCO #15, p. 8, Madrid, September
Trafique, Renate Puvogel, Kunstforum #146, p. 430, Ruppichteroth Germany, July – August
Review, The Art Newspaper #94, pp. 66, July-August
Review, Sarah Kent, Time Out London, p. 55, 30 June-7 July
Video et photographie scellent leurs noces au Printems de Cahors, Michel Guerrin, Le Monde, Paris, June 23
Portrait des Künstlers als Voyer und Exhibitionist, Otto Neumeier, Noema #51, pp. 46-51, May-June
Geordende revolte in Glasgow, Ross Birrel, Metropolis M #2, pp. 32-33, Amsterdam, April – May
7 Triennale de Kleinplastik Europa – Afrika, Sigrid Feeser, Kunstforum #143, p. 398, Ruppichteroth Germany, Jan – Feb
Performative Recollections: An interview with Artists Olu Oguibe and Kendell Geers, Laurie Firstenberg, Chicago Art
Journal, pp. 102-108, Spring
High Red Center, Elisabeth Mahoney, Art Monthly # 224, pp. 27-29, March
1998
South Africa, Cumulus, Hamza Walker, Parkett #52, p. 177
CREAM, Hou Hanru et al, Phaidon Press, pp 136-139, London
Art of Darkness: Darkness of Art, Clive Kellner, NKA, #9, Cornell University, pp. 68–69, New York, Fall/Winter
Cross/ing: Time, Space, Movement, Matthew DeBord, Flash Art, p. 80, March/April
Printmaking in a Transforming South Africa, Philippa Hobbs and Elizabeth Rankin, David Philip Publishers, pp 111, 120,
123-4, Cape Town and JohannesburgAltered States: Die Kunst des Kendell Geers, Okwui Enwezor, Iklusion-Exclusion,
DuMont, pp. 202-205, Köln
Review, John Peffer-Engels, African Arts, pp. 75-77, winter
Review, Pascal Lampert, Metropolis M, # 4, p. 61
Art in South Africa, The Future
Present, Sue Williamson and Ashraf Jamal, David Philip Publishers, Cape Town and Johannesburg, pp. 9, 15, 58-61, 64, August/September
1996
Africus, The Johannesburg Biennial, A Perspective David Koloane, African Arts, pp. 50 -56, Winter
Review, Dierk Schmidt, Springer, p. 68, October/November
Review, Tilman Baumgärtel, Springer, pp. 68-69, October/November
Aperto, Lorna Ferguson and Thomas Mulclaire, FlashArt, pp. 89 – 91, Milano, Summer
Crapshoot, Stuart Morgan, Frieze, # 29, pp. 64-65, June/July/August
Art in Review, Holland Cotter, New York Times, 21 June
Moving In, Okwui Enwezor & Octavio Zaya, FlashArt, pp. 84-89, Milano, January - February
Why Have There Been No Avant-Garde African Artists?, Candice Breitz, Atlantica, #11, pp. 52-64/145-157
Retaining This Fire, Colin Richards, Atlantica, #11, pp. 31-44 / 132-144
Occupied Territories: Power, Access and African Art, Okwui Enwezor, Frieze, pp. 37-41, January
1995
Picturing Health and Illness,
Sander L Gilman, John Hopkins University Press, pp. 182-3, Baltimore
Report from Johannesburg Towards a World-Class City?,Thomas McEvilley, Art in America, pp. 45-49, September
Inside Out, Ruth Rosengarten, Frieze, pp. 43-49, Summer
Biennial, Ruth Rosengarten, Artnews, p. 168, May
South African Art - Out of Time, Benjamin Weil, Flash Art, pp. 74-76, January–February
1994
Motho Ke Motho Ka Batha Babang, Teresa Macri, Virus, pp. 34-35, Cape Town, November
Het Oproer Van De White Boys, Fred de Vries, Elsevier, pp.104-107, Amsterdam, 22 October
Crossing The Boundaries: Two Examples in South African Art, Benjamin Weil, Atlantica, Number 8, pp.19-27, 130-134, autumn
Con - Artist at the Loovre, Michael Green, You Magazine, pp. 139-140, 1 September
Getting into Geers despite static, Anthea Bristowe, Business Day, p. 14 (Reprinted in Art Ventilator, p.51, Johannesburg, September 1994),23 August
Two Artists who are Legends in their minds..., Hazel Friedman, The Star Tonight, p. 3, (reprinted in Art Ventilator, Johannesburg, p. 52, 1994, 22 August - September
The Hottentot Venus, Jean-Yves Jounnais, Art Press, pp. 33-40, Paris, May
Separate and Equal, Andrew Solomon, The New York Times Magazine, pp. 44-89, New York, 27 March
Exposure, Andrea Vinassa, The London Sunday Times Magazine, p. 18, London, 27 March
The 9 Cards of Chameleon Geers, Stephen Laufer, Weekly Mail, p.11, Johannesburg, 25 February
1993
Art For Africa?, Andrea Vinassa, House and Leisure, pp. 34-35, Milan, December
About Face Aspects of Art History andIdentity in South African Visual Culture, Colin Richards, Third Text, pp.101-133, London, Autumn/Winter
Different and Alike, Daniel Herwitz, Modern Painters, London, pp. 76-79, autumn
The Ten Most Intriguing South Africans, Femina, pp. 64-71, Cape Town, October
1989
Resistance Art in South Africa, Sue Williamson, David
Philip, p. 69, Cape Town
SELECTED WRITINGS BY THE ARTIST
The Work of Art in the State of Exile, Poetic Justice, 8th Istambul Biennial, pp.048-057, September, 2003
History, Fleshed Out, Minette Vari, Museum of Art Lucerne, pp.9-12/89-92, Switzerland
The Plague is me, Onestar press, Paris, France, December 2003
The Work of Art in the State of Exile, Milici Tomic, 'National Pavilion', pp.0-23, Venice Biennale 2003
Undiscovered at 82, Robert Hodgins, Tafelberg Publishers, pp.62-69, Cape Town, 2002
Guest Editor, Documents Sur l’Art, Dijon, France (Forthcoming)
Art as Propaganda Inevitably Self-Destructs, Art From South Africa, pp. 23-24, MOMA, Oxford, 199O
Third World Bites Back, Art Ventilator, pp. 12-15, Johannesburg, September 1994
Argot, Published by Chalkham Hill Press, 1995 (Monograph)
First Johannesburg Biennial, ArtPress, pp. IV-V, May 1995
Fuck Art: The Prose of a Con-Artist, National Sculpture Symposium, Pretoria Technikon, 4 July 1995
For or Against, South African Association of Art Historians National Conference, Wits University, 7 July 1995
The Horror, The Horror, The CAPC Bordeaux, France May 1998
Contemporary South African Art - The Gencor Collection, Jonathan Ball Publishers, Johannesburg, 1997
The Horror, The Horror, Stopping The Process? Contemporary views on art and exhibitions, NIFCA, pp. 163-173, Helsinki, Finland, 1998
Cover - Atlantica, Number 22, 1998
Project Pages, Atlantica, Number 22, pp. 56-65, 1999
Statement en beeldbijdrage, Metropolis M Nummer 2, Amsterdam, 1999 April – May pp. 29-32
The Affluence and the Effluence, The Bastard, Metronome No 7, 2001, pp. 193-199
The Affluence and the Effluence / Affluenza ed effluenza, Racconti d’identita, La Generazione della Immagini 7, pp. 88-107, Comune di Milano, Milan, 2001
For or Against, South African Association of Art Historians National Conference, Wits University, 7 July 1995
What is the Artist's Role Today? Jerome Sans and Marc Sanchez, p. 66, Palais de Tokyo , Paris 2001
Scenario, The Queel, Metronome 8B, p. 71, London 2002
Intersections, RMIT Gallery, BHPBilliton, 2002
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